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- Dartington Hall Trust
- SCAMP Theatre
- Tambar Productions
- Association of MBA’s
- Assembly Film and Theatre
- English Touring Opera
- English Touring Theatre

About
Established in 1994 SCARLET provides a comprehensive, creative and resourceful design service to the Cultural Sector here in the UK and to arts bodies from abroad bringing themselves here to the UK.
Offering a full service, we help our clients create complete advertising campaigns that bolster events and products thus creating a comprehensive impact throughout the marketplace. We work closely with PR agents and marketeers to streamline the most effective, incisive and cost-efficient advertising campaigns that show tangible results in ticket sales and product take-up. Additionally, we've extensive experience working closely with arts organisations, festivals, museums, cultural service sectors and heritage departments of local authorities, theatre companies and producers, community associations, and corporate clients within hospitality, e-gaming and hoteliers.
As one of the UK's most innovative design agencies specialising in creative design for the arts we have amassed a sizeable portfolio of work containing beautiful and iconic campaigns: from the Rococo extravagance of Vivienne Westwood - to the colour of The Paramount Brighton Comedy Festival. From the sobering duty of Commission for Social Care Inspection - to the splendour of Shakespeare's Globe Theatre. For each, we've developed bespoke and creative campaigns that demand attention and typify the zeitgeist that reflects the cultural diversity of the society of today.
The SCARLET team understand the value of the Arts and Culture as part of an integrated public service: that's why we've chosen to work in it for twenty years! We need a committed platform to roll-out cultural heritage to all those within our lives. The challenges needed are a direct representation of the way we enable access and work within our social framework. Young people are our greatest resource - and we need to understand the challenges they face that mirror both our lives now, and in the future.
SCARLET have been approved by The Arts Council as An Approved Supplier of Design Services Nationwide.
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Client List
- Adzido Pan African Dance Ensemble
- Assembly Film and Theatre
- Association of MBAs
- Barclays New Stages Festival
- Bath Theatre Royal
- Borkowski PR
- CandoCo Theatre Company
- Carlin Music Corporation
- Cockington Court
- Columbia Records
- Company of Angels
- CSCI - Commission for Social Care Inspection
- Croydon Cultural and Leisure Services
- Dartington Hall Trust
- DACS (Dartington Accom. + Catering Services)
- Derby Playhouse
- EMI Records
- English Shakespeare Company
- English Touring Opera
- English Touring Theatre
- Exeter Northcott Theatre
- Finsoft GTECH Ltd
- Green Candle Dance Company
- Haringey Council (Cultural Development Team)
- International Intelligence on Culture
- ITC (International Theatre Council)
- ITEX (International Theatre Exchange)
- London Transport Museum
- Lyric Theatre, Hammersmith
- The Magic Circle
- National Portrait Gallery
- National Gallery
- National Theatre
- NSPCC
- Oxfam
- Paramount Brighton Comedy Festival
- Penny Dreadful Theatre Co.
- Peter Wolff Theatre Trust
- Planet Theatre
- Pleasance Theatre
- Plymouth University
- Richmond Borough Council
- Richmond Theatre
- Riverside Studios
- Royal Borough of Kensington & Chelsea
- Royal Court Theatre
- Royal National Theatre
- Royal Shakespeare Company
- Salisbury Playhouse
- SCAMP Theatre
- Shakespeare's Globe Theatre
- Soho Theatre Company
- Strathcona Theatre Company
- Talawa Theatre Company
- Tambar Productions
- Unicorn Arts Theatre
- Vivienne Westwood
Design Credits
These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best, every pleasure is to be welcomed and every pain avoided. But in certain circumstances and owing to the claims of duty or the obligations of business it will frequently occur that pleasures have to be repudiated and annoyances accepted. The wise man therefore always holds in these matters to this principle of selection: he rejects pleasures to secure other greater pleasures, or else he endures pains to avoid worse pains.